Digital Camera News and Reviews

Updates from the camera world



Month: July, 2008

Adobe releases Photoshop Lightroom 2 – adds ability to adjust parts of your pictures

29 July, 2008 (15:27) | Adobe, Software | By: Camera News

Today Adobe has launched version 2 of their popular RAW converter program called Photoshop Lightroom. There are lots of changes and additions from Lightroom 1.4 to version 2.0. One of the most significant changes to Lightroom 2 is that you can do local adjustments to a picture. This means you can select an area of the picture you want to change and use a tool to adjust that area. This feature can be used with the gradient tool and the local adjustment brush which can change exposure correction, brightness, contrast, saturation, clarity, sharpening and toning.
Other new features for Photoshop Lightroom 2 are dual-monitor support, a software development kit (SDK) that allows third party developers to make plugins for the program, new print module and much more.

Personally Lightroom is my most used program when I develop my RAW-files because it makes my work flow very fast. I’m very excited these new changes to Adobe Photoshop Lightroom!

If you are a new user of Lightroom version 2 will cost you £175 / $299, but if you are upgrading from version 1 it will cost you £69 / $99.


Press release:
Adobe Releases Photoshop Lightroom 2

Major Software Upgrade Further Simplifies Photography Workflows

SAN JOSE, Calif. — July 29, 2008 — Adobe Systems Incorporated
(Nasdaq:ADBE) today announced the immediate availability of Adobe
Photoshop Lightroom 2 software, the photographer’s essential toolbox for
managing, adjusting and presenting large volumes of digital photographs.
With new enhancements such as dual-monitor support, radical advances in
non-destructive localized image correction, and streamlined search
capabilities, Lightroom 2 is a compelling upgrade that simplifies
photography from shoot to finish. As Adobe’s first application to
support 64-bit for Mac OS X 10.5 Macintosh computers with Intel
processors and Microsoft Windows Vista 64-bit operating systems,
Lightroom 2 also provides improved memory performance for dealing with
large scale images.

“A worldwide community of photographers provided valuable insight and
feedback, as part of the Lightroom 2 public beta program, ultimately
helping us deliver a better product,” said Tom Hogarty, senior product
manager for Lightroom and Camera Raw at Adobe. “We’ve considered their
requests which helped us develop useful features that make it easier
than ever for our customers to quickly refine, enhance and present
brilliant photographs.”

Photoshop Lightroom 2: Smarter, Faster and More Accurate

The enhanced Library module in Lightroom 2 helps streamline and
accelerate photographers’ workflows. With the ability to visually
organize images across multiple hard drives, Lightroom 2 and its
powerful Library Filter Bar makes it easy for users to quickly find the
images they need. The Suggested Keywords feature helps photographers
keyword their images by making intelligent suggestions based on their
own previous efforts. New dual-monitor support allows users to expand
their workspace, giving them flexibility to edit and organize images in
a way that maximizes an additional display.

In the Develop module, the new Local Adjustment Brush lets photographers
fine-tune specific areas of an image to precisely adjust color, exposure
and tonal range without affecting other areas of the image. The new
Graduated Filter expands the toolbox in Lightroom, allowing for edits to
larger areas by applying gradually diminishing or increasing adjustment
effects such as exposure, clarity, and saturation, alone, or in any
combination. Lightroom 2 also helps photographers print more efficiently
by quickly arranging photos of multiple sizes on one or many pages with
flexible and customizable templates to maximize paper and ink.
Intelligent algorithms automatically determine optimal sharpening for
screen or print, producing crisper images faster. Developers can further
extend the Lightroom workflow with Web, Export and Metadata Software
Development Kits available at the Adobe Developer Connection,
http://www.adobe.com/devnet/.

Ground-Breaking Innovation in Raw Technology

New raw technology gives photographers access to flexible camera
profiles. Camera profiles are the visual starting point for the raw
processing workflow, but image preferences vary for every photographer.
To minimize surprises, Adobe is supplying default camera profiles that
closely emulate the visual looks that photographers are used to seeing
from their favorite camera, while also providing the ability to create
highly customized profiles to suit different tastes. Camera profiles are
available for immediate download on Adobe Labs (http://labs.adobe.com)
for use with Lightroom 2 and Camera Raw 4.5, along with the DNG Profile
Editor for the community to test and create their own profiles.

The Adobe Camera Raw 4.5 plug-in and DNG Converter 4.5 are also now
available on Adobe.com and support over 190 camera models including the
Olympus E 420 and E 520 models.

“One of the big reasons why Lightroom has become such a phenomenon among
serious photographers is that Adobe built it with the input of a very
vocal user community,” said Scott Kelby, president of the National
Association of Photoshop Professionals (NAPP). “Adobe really listens to
the issues and challenges today’s photographers face and they’ve built a
complete solution that not only meets the needs of photographers; it
really feels like it was made just for us. The enhancements to Lightroom
2, combined with the power of Photoshop, give photographers the ultimate
freedom to produce professional images quickly.”

Pricing and Availability

Adobe Photoshop Lightroom 2 is available now through the Adobe Store at
www.adobe.com/store in English, French and German with the Japanese
language version planned to be released at a future date. The estimated
street price is USD$299 for new users with an upgrade price of USD$99
for registered users of qualifying Lightroom customers. Recommended
system requirements are Macintosh OSX 10.4, 10.5 1 GHz PowerPC G4 or G5
or Intel based processor, or Microsoft Windows XP SP2 or Windows
Vista Home Premium, Business, Ultimate, or Enterprise, Intel Pentium
4 processor, 1 GB RAM and a 1024×768 resolution screen. Additional
information on product features, upgrade policies, pricing, and language
versions is available on www.adobe.com/products/photoshoplightroom/.

Panasonic Lumix DMC-FZ28 digital compact camera – 18x optical ultra-telezoom camera

28 July, 2008 (19:32) | Compact Camera, Leica, Panasonic | By: Camera News

Panasonic Lumix DMC-FZ28 camera
Panasonic Lumix DMC-FZ28

Panasonic has announced a new “ultra-telezoom” digital compact camera called Panasonic Lumix DMC-FZ28. The camera features a Leica DC Vario-Elmarit lens 18x (27-486mm equivalent) optical zoom lens and you can even buy a 1.7x tele converter giving you an extreme range.
An update for the Panasonic Lumix DMC-FZ28 from the older FZ18 is more megapixels from 8 to 10.1 MP. Seems like an interesting camera for people that want to photograph birds and other wildlife, and don’t want to bring a heavy DSLR with a huge lens.
The Panasonic Lumix DMC-FZ28 camera will be available in August, 2008 for around £329.99/$399 in black and silver design.

Some key features for the Panasonic Lumix DMC-FZ28:
-10.1 million effective pixels CCD sensor
-18x (27-486mm equivalent) optical zoom Leica DC Vario-Elmarit lens, F2.8-4.4
-Optical image stabilization
-2.7″ LCD screen
-RAW format support
-Full manual controls


Press release:
Press release:
A Super-Versatile Digital Camera 10.1-Megapixel DMC-FZ28 with 27mm Wide-Angle and Powerful 18x Optical Zoom Lens Featuring Easy Manual Operation

Panasonic introduces the Lumix DMC-FZ28 digital still camera, featuring a 27mm wide-angle Leica DC VARIO-ELMARIT lens with an 18x optical zoom*. Joining Panasonic’s popular FZ series of cameras that pack a high-powered zoom into a compact body, the FZ28 also boasts 10.1-megapixel resolution and adds a number of enhanced features that boost user fun and convenience, represented by an advanced iA (Intelligent Auto) mode.

The super-powerful 18x zoom lens makes it easy to pull in subjects from far away or to take dramatic close-ups. For an added boost, zoom power can be increased to 32.1x with the Extra Optical Zoom function**. The 27mm wide-angle feature is ideal for both broad landscapes and tight indoor shots, letting photographers capture a wider view. The 10.1-megapixel resolution allows photos to be greatly enlarged while still retaining outstanding detail, or edited by trimming and enlarging parts of the photo to print.

For image processing, the FZ28 features the high-speed, high-performance, Venus Engine IV. Thanks to the Venus IV, the FZ28 can snap off consecutive shots at a fast max.13 frames per second for subjects with fast motion in High Speed Burst Shooting mode***. In High Sensitivity mode, the FZ28 can capture stunning photos with sensitivity up to ISO 6400 in extremely low light situations****. The engine allows the FZ28 to shoot up to 460 photos (CIPA) on a single battery charge thanks to improvements in power efficiency.

Panasonic’s iA (intelligent auto) mode, which makes it easy for anyone to take beautiful photos, has been further enhanced . The newly added AF Tracking function automatically tracks the subject once the AF has been set even if the subject moves around, making it easier to capture sharp, well-focused photos of decisive moments. The FZ28 continually monitors the light source and automatically activates the backlight compensation function if it detects that the light source is behind the subject. Face detection accuracy has also been increased, allowing continuous AF/AE adjustment even if a face moves or turns sideways to the camera. The Intelligent Exposure function helps capture natural-looking, true-to-life images by suppressing blocked shadows and blown highlights.

The FZ28 inherits and enhances the manual operation that has proven so popular with other members of the FZ family. The FZ28 manual controls are more versatile than in previous models and the control layout has been improved, making use of the manual controls easier and more intuitive. Also, the Advanced Scene mode, unique to Lumix high-end compact cameras for users who want more creativity, now includes a Close-up mode that lets users enjoy sophisticated close-up photography according to the subject to shoot with remarkable ease.

In addition to capturing beautiful still images, the FZ28 makes it easy to shoot high-definition 1280 x 720p motion images at 30 fps with outstanding detail. Using the DMW-HDC2 HD Component Cable (available separately), these motion images can be output from the FZ28 directly to a HD ready TV for large-screen viewing.

The FZ28 features a large, 2.7-inch Intelligent LCD with 230,000-dot resolution. Clearly visible in virtually all conditions, this advanced LCD gives the user a clear, detailed look at the shot being composed and plays back crisp, clear images after shooting. The viewfinder resolution has also been increased to 201,600 dots for easier viewing.

The FZ28 offers a number of other functions that expand photographic possibilities, including a stronger flash for long-distance lighting and extended use, a colour temperature display that makes it easier to set the white balance more accurately, a colour bracket function, and new scene modes – Pin Hole and Film Grain — that create film-camera-like effects. Image leveling and other new functions add convenience after shooting as well.

Available in black or silver*****, the DMC-FZ28 is a compact wide-angle, super-zoom camera that offers both uncommon convenience and exceptional creative freedom. Users from family members to serious amateur photographers will find the versatile FZ28 a perfect answer to their needs.

*35mm film camera equivalent: 27-486mm
**In 3-megapixel resolution mode.
***In speed priority mode, max. 13 fps in 2-megapixel (16:9) recording, 12 fps in 2.5-megapixel (3:2) recording and 11 fps in 3-megapixel (4:3) recording.
**** In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9) recording.
*****Availability of models and colours may vary depending on the sales area.
1. A 27mm Wide Angle, Powerful 18x Optical Zooming Leica DC Lens* with F2.8 Brightness

The DMC-FZ28 packages a 27mm wide angle LEICA DC VARIO-ELMARIT lens with F2.8-4.4 brightness and powerful 18x optical zoom (equivalent to 27-486mm on a 35mm film camera) together with a 10.1-megapixel CCD into a compact body. The lens unit comprises of 11 elements in 8 groups, including 3 aspherical lenses and 2 ED lenses. Notably 2 ED lenses minimize the chromatic aberration that is likely to occur in telephoto images. This set of lenses secure picture quality high enough to pass Leica’s stringent standards and delivers exceptional optical performance. With the long zoom range from 27mm to 486mm, equivalent to 18x, the DMC-FZ28 is perfect to take expansive scenery with dynamic perspective and a close-up of a distant subject, having an appealing angle of view. This powerful zoom also works during the motion picture recording.

Further, in 3-megapixel resolution mode, the Extra Optical Zoom function uses the centre part of the CCD to provide additional magnification, extending the zoom power to 32.1x.

*35mm film camera equivalent: 27-486mm
2. Great Photography Is Not Only for Professional Photographers Anymore — Intelligent Auto Mode

The FZ28 adds a new AF Tracking function to iA (Intelligent Auto) mode, which is a combination of functions that makes it easy for anyone to take beautiful photos. In iA mode the camera does all the work, activating Mega O.I.S. (Optical Image Stabilizer), Intelligent ISO Control, Intelligent Scene Selector, Face Detection, and Intelligent Exposure. This leaves the user free to simply compose the shot and press the shutter button, with the assurance that the image will be clear, beautiful and properly exposed.

With the new AF Tracking function, the user can “lock” the focus onto a moving subject. The camera then automatically tracks the subject as it moves, keeping it in focus without the user having to hold the shutter button halfway down. This makes it easier to capture the perfect moment clearly and in sharp focus when shooting images of a child, pet, sports or any scene with moving subjects and spur-of-the-moment action.

Featuring Intelligent Scene Selector, which automatically selects whichever of 5 scene modes — Macro, Portrait, Scenery, Night Portrait, and Night Scenery – best suits the shooting situation, the FZ28 is highly intuitive.

The Face Detection function can find up to 15 faces in the frame and adjusts the focus and exposure to capture them clearly and in sharp focus. Face detection accuracy has been increased in the FZ28 to now provide continuous adjustment of the focus and exposure even if the face is turned sideways to the camera. Combined with AF Tracking, Face Detection helps users capture special moments, including the fleeting expressions on the faces of active children. Plus, with the FZ28, the red-eye effect can be digitally corrected automatically when it occurs due to the use the flash.

Intelligent Exposure suppresses blocked shadows and blown highlights to capture images that look natural and true-to-life. It now features an automatic backlight compensation function that activates whenever the camera detects that the light source is behind the subject. This is useful when the effect of Intelligent Exposure is not enough due to the strong backlighting.

The Quick AF system allows the camera to keep focus on the subject while the camera is in recording mode even before without pressing a shutter button halfway, to get best result out of a shutter chance because the focus is always near the subject and the AF time is minimized.

In addition to the advanced functions mentioned above, the iA mode inherits fundamental functions users need in a good digital still camera. These include Mega O.I.S., which prevents blurring from hand-shake, and Intelligent ISO Control, which prevents motion blur by adjusting the ISO sensitivity if the subject moves as the shot is taken. The Mega O.I.S. conventionally has mode 1 and 2, and now it has AUTO mode to switch to the most suitable mode between the modes according to the zoom ratio being used.

The user can activate all of these useful, convenient shooting-assist functions by simply selecting iA mode. This makes the FZ28 the ultimate, super-versatile automatic camera for capturing clear, beautiful, mistake-free photos with ease.
3. Easy, Intuitive Manual Operation and Advanced Scene Mode

Packing super-powerful zoom lenses in compact bodies, Lumix FZ series cameras give users everything they need to explore the creative side of photography. FZ cameras come with a joystick that has earned high acclaim from users for allowing quick, easy adjustment of manual focus, manual exposure, and other settings. When the camera is in manual focus mode, the focal length and depth of field are displayed in accordance with the zoom range. When the camera is mounted on a tripod and the angle of view is fixed, the MF Assist function allows pinpoint confirmation of the focus area, so users can focus with high precision even when the composing of image is fixed on a tripod. The AF/AE lock button prevents any accidental changes to the focus and exposure settings, so the user doesn’t have to repeat the same cumbersome trial-and-error process to recapture the previous settings. There is also a custom setting function that lets users store up to 4 sets of settings you often use in memory and instantly recall them later using the mode dial.

The Advanced Scene mode has been praised for giving users an extra degree of creative freedom when using ordinary scene modes. The FZ28 features 5 scene modes – Portrait, Sports, Scenery, Night Scenery and a new Close-up mode that provides optimal settings for shooting flowers or other small objects with fine detail. By selecting Aperture Priority in Close-up mode, the user can capture a close-up shot against a soft-focused background for an even more impressive result. With the new modes in the FZ28, the user can choose from five Portrait mode settings, four Scenery mode settings, four Sports mode settings, four Night Portrait settings, and four new Close-up mode settings. Together with the 16 ordinary scene modes, this makes a total of 37 modes the photographer can choose from to capture images exactly the way he or she sees them. Not only in normal Scene mode but also in Advanced Scene mode, the user can see the effects of the detailed settings in real-time on the LCD. This gives the user the opportunity, before taking the shot, to make whatever adjustments are necessary to capture the desired image. To help take full advantage of the wealth of settings available, the FZ28 also offers an Navigation Guide on the LCD that shows the effect of each mode or submode setting.
4. Quick and Smart AF and Easy Manual Focusing

Panasonic has dramatically revamped the focus system featured in the FZ28. The most significant improvement is the new Tracking AF. By keeping the focus locked on a moving subject such as a child or pet, this function makes it a lot easier for users to capture clear, perfectly focused shots at the perfect moment.

To match the shooting situation and subject’s position, the user can select from six auto-focusing methods: AF tracking, face detection, multi, 1-point high-speed, 1-point normal-speed, and spot. With the 1-point AF or spot AF method, the auto-focusing area can be chosen freely from the entire field of view with the joystick or cursor button. Various group area patterns can also be selected in the Multi method.

The Face Detection system helps the camera to recognise a human face to capture it bright and clear. Up to 15 human faces can be detected simultaneously. The detection keeps working on the faces even if subjects are moving so that the time for AF is minimized before you click away the shutter.

Manual focusing, which is a valuable tool for professional-level photography, is also easy thanks to the previously described joystick. Instant switching between AF and MF is available with the independent AF/MF button. The DMC-FZ28 is also equipped with AF Macro button and it activates One-Shot AF function in MF mode with a single press of the button. In both AF/MF, the subject at just 1cm away can be finely captured sparing no detail of it. You can experience the dynamic close-up of macro shots.
5. High-Speed Burst Shooting

In the High-Speed Burst shooting mode, it fires off an incredible max. 13 shots per second*. Notably, the shutter mechanism of the FZ28 is mechanical, which allows users to take beautiful pictures in motion with minimal smearing and distortion effects that is often seen when using the electronic shutter mechanism. You also get unlimited consecutive shooting,** Newly added Flash Burst mode makes it possible to take continuous shooting with continuous emission of flash***. In burst shooting mode, the DMC-FZ28 can snap approx.2.5 shots per second at full resolution.****

*In speed priority mode; 13 fps in 2-megapixel (16:9) recording, 12 fps in 2.5-megapixel (3:2), 11 fps in 3-megapixel (4:3)
**The consecutive shooting speed varies with the memory card, image size, and image compression mode. The number of shots depends on the memory card size, battery life, image size and image compression mode.
***Max. 5 images. In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9) recording.
****Max. 5 images in standard mode/ 3 images in fine mode.
6. High-Speed, High-Quality Image-Processing LSI Further Evolves into the Venus Engine IV

A new image-processing LSI, Venus Engine IV, features more advanced signal processing technology for rendering even higher-quality images. The parallel noise reduction in both luminance signal and chromatic signal processing systems, a technology established by the preceding Venus Engine III, gains a more sophisticated process. First, the luminance noise is two-dimensionally separated into high-frequency and low-frequency noises and only the low-frequency noise, which tends to be conspicuous, is eliminated without affecting the high-frequency noise that greatly influences resolution. Second, the information of the change point between colours is minutely stored for precise determination of edges, thus colour bleeding is dramatically suppressed. This not only produces a clearer image in high ISO sensitivity recording, but also faithfully reproduces details in low-lit areas of pictures taken at low ISO sensitivity. It supports a High Sensitivity mode that lets the DMC-FZ28 record at a setting of up to ISO 6400, sensitive enough to capture subjects in near-total darkness without using a flash.*

With its multi-task image-processing capability, the Venus Engine IV also boasts outstanding response time. Shutter release time lag is as short as approx. 0.006 second. This fast response makes it easy to capture sudden, spur-of-the-moment shots.

The Venus Engine IV also makes it possible to capture natural-looking, true-to-life images by suppressing blocked shadows and blown highlights with the Intelligent Exposure function. It now has high, standard and low settings of effect to match the shooting conditions and desired results.

Furthermore, the engine elevates the detection accuracy and corrective effect in both Mega O.I.S., which prevents hand-shake, and Intelligent ISO Control, which suppresses motion blur. This high performance engine is also superior in its energy efficiency to extend the battery life up to 460 shots(CIPA) per a single charge.

*In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9) recording.
7. Exciting Options to Expand the Fun of Photography in the High-Definition Era

All Lumix cameras can take 1920×1080 pixel HD (high-definition) quality photos that perfectly fit a wide-screen (16:9) HDTV for full-screen viewing. The new DMC-FZ28 even records dynamic HD motion pictures in 1280 x 720p at a smooth 30 fps, in addition to WVGA (848 x 480) and normal VGA (640 x 480)***.

With newly added HD component output capability, you can enjoy watching still and motion pictures in stunning HD quality taken by your DMC-FZ28 by simply connecting the camera to a HD ready TV via an optional component cable (DMW-HDC2).

The DMC-FZ28 provides slideshows complete with music. Just select the pictures you want to show and choose the mood that best matches your selection from natural, slow, urban or swing, and you’ll get an emotion-filled slideshow with a variety of slide change effects and matching music without any annoying adjustments. If you make the slideshow with HD photos in 1920 x 1080 pixels, you can also enjoy watching an impressive HD slideshow with music on a large-screen HDTV by using the optional component cable.
*In Motion Picture mode, the length of recording time depends on the capacity of the SDHC/SD Memory Card. (Up to the equivalent of 2 GB per motion-image recording.) When you set the motion picture quality to HD, WVGA and VGA, we recommend using a high-speed memory card with “10MB/s” or greater on the package. Some lens movement sounds may be recorded.

**For Europe, motion images can be recorded continuously for up to 15 minutes.
8. Advanced 2.7-inch Intelligent LCD and Higher Resolution EVF

Clear, easy-to-see LCD is upgraded both in size and resolution to be 2.7-inch with 230,000-dot high resolution to offer even more comfortable view for both monitoring when shooting and for playing back the results. The Intelligent LCD function detects the light condition and automatically boosts the LCD backlighting by max. 40% when shooting outdoors in bright sunshine, and adjusts the frame rate when shooting in low-lit situations in addition to using the pixel mixed readout method to secure clarity in such situations. Detecting the lighting condition precisely and automatically controlling the brightness with a total of 11 fine steps, this function gives the display the most appropriate clarity in any situation without using extra energy.

The High Angle mode makes the LCD screen extremely easy to view when the camera is held high, such as when shooting over a crowd.

The in-line Electric Viewfinder increased its resolution from the predecessor up to 201,600-dot equivalent to provide easy, corner-to-corner focusing confirmation even in manual focus mode.
9. Other Features and Functions

The FZ28 is a versatile compact camera equipped with a wide-angle lens, powerful optical zoom, and a host of enhanced features that make shooting more fun.

SILKYPIX Developer Studio 3.0SE software application comes bundled with the DMC-FZ28 for editing and developing images in the RAW file format. Using this software, you can freely adjust RAW data settings such as exposure bias and white balance even after shooting for greater enjoyment of digital photography.

The flash is more powerful than before and reaches a distance of 8.5 meters at the wide setting and 5.4 meters at the telephoto setting (ISO AUTO). It also has 1st curtain and 2nd curtain synchro settings.

A new colour bracketing function records three types of images – colour, monochromatic and sepia – at a single press of a button. Using this function, the photographer can capture a colour photo and artistic monochrome photo at the same time while pressing the shutter button just once.

For setting the white balance, the FZ28 newly provides a setting by the colour temperature in addition to the Two-Axis white balance adjustment to offer more precise control over the WB.

The FZ28 offers a total of 16 normal scene modes and 5 advanced scene modes, including the new Pin Hole and Film Grain modes that add unique, film-camera-like effects and ambiences to images. This wide range of modes lets the FZ28 respond easily to any shooting situation. The actual effects of the scene modes can be viewed on the LCD before taking the shot.

Image Leveling is another function that improves post-shooting convenience. When a recorded image “leans” to the right or left because the camera was held at a slight angle, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges*.

The USB port supports the 2.0 HS standard and the internal memory has been increased to approx. 50 MB – two further enhancements that add to the convenience and fun of using the FZ28.

*Resolution decreases.
10. More Fun with Optional Accessories

The DMC-FZ28 offers a wide line of optional accessories to expand shooting possibilities. A tele-conversion lens with 1.7x power (equivalent to 826.2mm on a 35mm film camera) and a close-up lens can be mounted using a lens adaptor. An ND filter and new PL filter are also available to provide the FZ28 with true high-end camera capabilities.

DMW-LT55 Tele conversion lens*
DMW-LC55 Close-up lens*
DMW-LND46 ND filter
DMW-LMC46 MC protector
DMW-LPL46 PL Filter
DMW-LA3 Lens adaptor
DMW-AC7 AC adaptor
CGR-S006 Battery pack
DMW-CZS7 Soft case
DMW-CZ18 Camera Bag
DMW-HDC2 HD Component Cable

*Requires Lens Adaptor (DMW-LA3) for attachment

Drawing on its vast expertise in consumer electronics, Panasonic is committed to creating a new photographic culture by introducing innovative, high-performance cameras and other advanced digital imaging products.

Panasonic Lumix DMC-LX3 digital compact camera – Wide angle DSLR bridge camera

27 July, 2008 (11:41) | Compact Camera, Leica, Panasonic | By: Camera News

Panasonic Lumix DMC-LX3 camera
Panasonic Lumix DMC-LX3

Panasonic has announced that they are releasing a new compact digital camera in their Lumix DMC-LX series called Panasonic Lumix DMC-LX3. This camera is aimed at DSLR users that want a light wide angle compact camera that is able to produce pictures of good quality. One would also think that more experienced compact camera users would be interested in the Panasonic Lumix DMC-LX3 because of all the manual controls and fast lens (F2.0-F2.8). It seems like a very interesting camera because the sensor is pretty big for a compact and Panasonic haven’t crammed too many pixels into it (10 megapixels). The Panasonic Lumix DMC-LX3 scheduled to be released in August, 2008 with a price at about £399.99/$499.95.

Some key features for the Panasonic Lumix DMC-LX3:
-2.5x optical zoom Leica DC Vario-Summicron lens, F2.0-F2.8 24-60mm (35mm equivalent)
-10.1 million effective pixels on a 1/1.63-inch CCD sensor
-Optical image stabilization
-3″ LCD screen
-Full manual controls
-Supports RAW image format
-Movie recording at 1280 x 720 (24 fps) with sound


Press release:
Breaking New Boundaries – Panasonic’s Lumix DMC-LX3 With F2.0 24mm Ultra Wide Angle LEICA DC VARIO-SUMMICRON Lens

Panasonic is pleased to introduce the DMC-LX3, the long-awaited addition to the popular Lumix LX series of high-end, compact digital still cameras.

Designed for easy, creative shooting, the new LX3 comes two years after its predecessor, the LX2, which earned an enthusiastic following among both professional photographers and serious amateurs for its exquisite image rendering, superior operating ease, and unique triple-wide system comprising wide-angle lens, 16:9 CCD and LCD. Panasonic has gone a big step further in the new LX3, upgrading every component to achieve a camera whose performance surpasses that of any compact camera that has come before. Simply put, the LX3 smashes all previous perceptions about the limitations of a digital compact camera, setting a lofty new standard in performance, quality and creative capabilities.

At the core of the LX3 is a large, ultra-sensitive 1/1.63-inch CCD developed specially for the new model. The old formula equating pixel count with image quality does not always hold true. In general, if two CCDs have exactly the same physical size but different pixel counts, the one with more pixels is not necessarily better – in fact, it’s likely to generate more picture noise, especially in low-light parts of the image. This poor low-light image quality has been a source of great dissatisfaction for compact camera users. In the LX3, Panasonic responds to this problem by boldly reversing the industry trend of pushing toward ever-higher pixel counts. Rather than cramming in the maximum number of pixels possible, it has limited the LX3’s 1/1.63-inch CCD to 10.1 megapixels. The result is a CCD that provides a generous amount of space for each pixel while offering superb sensitivity and a wide dynamic range made possible by maximizing the size of the photodiode. Panasonic also redesigned the peripheral circuits and other components to further minimize noise generation. These enhancements greatly improve imaging performance, boosting both sensitivity and saturation by around 40% compared with ordinary 10-mexapixel compact cameras.* The CCD in DMC-LX3 can reproduce images shot with the lens set from 24mm to 60mm in any of three aspect ratios; 4:3, 3:2 or 16:9, so you can always capture dynamic, richly expressive shots with a wide perspective. The newly added Multi-aspect bracketing mode allows the camera to take a image in all 3 aspect ratios simultaneously, allowing the photographer to choose the one that best takes the advantage of the scene after shooting.

The LX3’s F2.0 24mm ultra-wide-angle* LEICA DC VARIO-SUMMICRON lens also represents a major step up from the LX2. The F2.0 lens is about twice as bright as the previous F2.8 lens, itself generally considered a bright lens. With the new F2.0 lens, the LX3 can shoot at higher shutter speeds and capture stunningly clear, sharp, blur-free images even in lower lighting conditions. This advanced lens also makes it easy to produce beautiful photos with a pleasing soft-focused background. Also, the 24mm ultra-wide-angle lens – rare on a compact camera – gives photographers a wider range of composition possibilities. The super-high-quality LEICA DC VARIO-SUMMICRON lens minimises distortion even at the wide end, so users can get stunning, true-to-life images with outstanding resolution and detail.

The LX3 is equipped with Panasonic’s advanced image processing LSI, the Venus Engine IV. This high-speed high-performance imaging engine makes it possible to capture clean, beautiful, low-noise photos even when shooting at high sensitivity settings. Separating chromatic noise from luminance noise and low-frequency noise from high-frequency noise, and applying the optimal noise-reduction processing to each, the Venus Engine IV provides superior noise control and minimization of colour bleeding.

The LX3 is packed with features that enhance photo-shooting fun, ease of use and creativity. An easy-to-use Manual mode gives the user greater shot-making flexibility and control – ideal for those who want to explore the creative side of photography. The auto focus function lets the user select the number of auto focus points in the frame by pressing a button on the camera top. Pressing the same button after taking the shot enlarges the area surrounding the point of focus, giving the user a convenient way to check the focusing accuracy. The LX3’s customized setting function lets the user assign functions to an independent button on the camera back. In addition, up to 4 settings can be stored in memory and instantly retrieved using the Mode dial. The colour temperature can be set when adjusting the white balance, which works with the conventional 2-axis compensation to allow even finer adjustment.

The LX3 offers a Film mode with 6 colour types and 3 types of monochrome to choose from. Much like selecting different film types with a film camera, this function gives the user the flexibility to produce more interesting and expressive images. A newly added multiple-exposure function also lets the user create artistic photo productions, overlaying up to three consecutive images while viewing the most recent image in the monitor.

The LX3 boasts a large 3.0-inch LCD with a 3:2 aspect ratio and high 460,000-dot resolution. Performance is outstanding for both shooting and viewing. A new LCD panel provides bright, easy-to-see images over a wider viewing angle. The Intelligent LCD function, standard on all Lumix models, assures comfortable viewing in virtually all conditions by automatically adjusting the backlighting of LCD as the ambient light level changes.

One key advancement over previous models is the LX3’s superb expandability. Mounting the optional Wide Conversion Lens** brings the maximum wide angle all the way to an incredible 18mm. Other optional equipment such as the ND Filter** and new PL Filter** also broaden image-creating possibilities. The high-end aluminum External Optical Viewfinder provides bright, clear viewing without wearing down the battery. And the optional GN22 Compact Flash mounts to the hot shoe newly added to the LX3. These and other accessories let users build around the LX3 to create a powerful, versatile camera system that can take them as far into photography as they want to go.

This full set of functions draws a distinct line between the LX3 and ordinary compact cameras. The LX3 stands alone as a compact camera whose image-creating capabilities rival even digital SLRs. It’s a camera that gives users the ability to capture beautiful, richly expressive images every time they shoot.

Available in black or silver*** the DMC-LX3 is an excellent choice as a compact partner camera for users who own an SLR. It is also an outstanding long-term camera solution for high-level users who want the best in image quality, operating ease, flexibility and creative freedom.

*Compared with Panasonic Lumix DMC-FX35 with 1/2.33” CCD.
**Requires an lens adapter DMW-LA4.
***Availability of models and colours may vary depending on the sales area.

1. Large 1/1.63-inch 10.1-megapixel CCD for Dramatically Higher Picture Quality

At the heart of the LX3 is a key component that distinguishes it from all other compact cameras: a 1/1.63-inch 10.1-megapixel CCD. Boldly defying the trend to cram in the most pixels possible, Panasonic limited the LX3’s large 1/1.63-inch CCD to 10.1 megapixels. This made it possible to make each pixel around 45% larger than those in ordinary 10-megapixel cameras. As a result, both sensitivity and saturation is around 40% higher than in ordinary models, giving the LX3 exquisite image quality with both excellent sensitivity and a wide dynamic range.*

While the LX2 also featured a large CCD – its 1/1.65″ CCD was just slightly smaller than the LX3’s 1/1.63″ unit – in the LX3 Panasonic maximised the size of the photodiode size to boost sensitivity by around 19% and saturation performance by around 15%. Panasonic also minimized noise generation in the LX3 by using newly designed circuits around the CCD that improve the power supply process and provide a layered structure. The CCD was also given a large output buffer to further stabilise the signal and cut noise generation to a minimum. These enhancements combine to improve the S/N ratio by 3 dB. The LX3 also provides dramatically improved colour reproduction in low lighting, where noise is typically a problem.

Normally, to produce an image of 3:2 or 16:9 aspect ratio, a 4:3picture will be cropped, so the picture does not retain the best resolution . However, the CCD in DMC-LX3 can reproduce images shot with the lens set from 24mm to 60mm in any of three aspect ratios; 4:3, 3:2 or 16:9, so you can always capture dynamic, richly expressive shots with a wide perspective. The newly added Multi Aspect mode allows the camera to take an image in all three aspect ratios simultaneously for the photographer to choose the one that best takes the advantage of the scene after shooting.
*Compared with Panasonic Lumix DMC-FX35 with 1/2.33” CCD.
2. F2.0 Extraordinary Bright 24mm Ultra-Wide-Angle* High Quality LEICA DC

VARIO-SUMMICRON Lens with Minimum Distortion
A fantastic step up is represented by the newly developed F2.0 24mm equivalent ultra-wide-angle LEICA DC VARIO-SUMMICRON lens in the LX3. The F2.0 lens is about twice as bright as the F2.8 lens, itself generally considered a bright lens. With the new F2.0 lens, the LX3 can shoot at higher shutter speeds and capture stunningly clear, sharp, blur-free images in lower lighting situation. This advanced lens also makes it easy to produce beautiful photos with pleasing soft background focusing thanks to the shallow depth of field provided by the extra light.

Also, the 24mm ultra-wide-angle lens – rare on a compact camera – gives photographers a wider range of composition possibilities. The super-high-quality LEICA DC VARIO-SUMMICRON lens minimizes distortion at the wide end, so users can get stunning, true-to-life images with outstanding resolution and detail. The LX3 captures approx.213% larger viewing space compared to that of a normal 35mm camera, and even approx.136% larger compared to what a 28mm wide-angle lens can do.

The lens unit consists of 8 elements in 6 groups with 4 aspherical lenses with 4 aspherical surfaces. Minimal distortion, high resolution, minimum artifacts such as chromatic aberrations, ghosting and flaring are the proof of uncompromising imaging made possible by F2.0 24mm ultra wide angle LEICA DC VARIO-SUMMICRON lens.
In addition, newly adopted iris diaphragm allows the users to adjust aperture at fine steps manually.

*35mm film camera equivalent: 24-60mm
3. High-Speed, High-Quality Image-Processing LSI Further Evolves into the Venus Engine IV
A new image-processing LSI, Venus Engine IV, features more advanced signal processing technology for rendering even higher-quality images. Notably, parallel noise reduction in both luminance signal and chromatic signal processing systems, a technology established by the preceding Venus Engine III, gains a more sophisticated process. First, the luminance noise is two-dimensionally separated into high-frequency and low-frequency noises and only the low-frequency noise, which tends to be conspicuous, is eliminated without affecting the high-frequency noise that greatly influences resolution. Second, the information of the change point between colours is minutely stored for precise determination of edges, thus colour bleeding is dramatically suppressed. This not only produces a clearer image in high ISO sensitivity recording, but also faithfully reproduces details in low-lit areas of pictures taken at low ISO sensitivity.

The Venus Engine IV also supports a superior high sensitivity recording that lets the DMC-LX3 record at a setting of up to ISO 3200 at full resolution and even up to ISO 6400 when using the high sensitivity mode, sensitive enough to capture subjects in near-total darkness without using a flash.*

The Venus Engine IV also makes it possible to capture natural-looking, true-to-life images by suppressing blocked shadows and blown highlights with the Intelligent Exposure function. It now has high, standard and low settings of effect to match the shooting conditions and desired result.

With its multi-task image-processing capability, the Venus Engine IV also boasts outstanding response time. Shutter release time lag is as short as approx. 0.005 second. This fast response makes it easy to capture sudden, spur-of-the-moment shots. In burst shooting mode, the DMC- LX3 can snap approx. 2.5 shots per second at 10.1-megapixel large full resolution.** And in High-Speed Burst shooting mode,* it fires off an incredible approx. 6 shots per second. You also get unlimited consecutive shooting, which lets you keep shooting until the memory card is full. *** Newly added Flash Burst mode makes it possible to take continuous shooting with continuous emission of flash****.

Furthermore, the engine elevates the detection accuracy and corrective effect in both Mega O.I.S., which prevents hand-shake, and Intelligent ISO Control, which suppresses motion blur. The engine allows the LX3 to shoot up to approx. 380 photos (CIPA) on a single battery charge thanks to improvements in power efficiency.

* In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9) recording.
**Max. 8 images in standard mode/ 4 images in fine mode.
***The consecutive shooting speed varies with the memory card, image size, and image compression mode. The number of shots depends on the memory card size, battery life, image size and image compression mode.
****Max. 5 images. In 3-megapixel (4:3), 2.5-megapixel (3:2), 2-megapixel (16:9) recording.
4. Intuitive Full Manual Operation by Multi-functional Joystick and Enhanced Creative Options

The easy-to-use joystick operation and good design, which were part of the highly acclaimed trademarks of its predecessor, are inherited by the DMC-LX3. The joystick was incorporated to facilitate operational ease and thereby get the best technical advantage of the multitude of functions offered by the camera. With the joystick it is possible to set focus, aperture and shutter speed, it also allows exposure compensation. And also a quick shortcut to frequently used variables by just pressing and holding the Quick Menu button even while monitoring a subject on the LCD. A switch on the side of the lens barrel lets you quickly change the focus mode between MF, AF or Macro AF. When you focus in the Manual Focus mode, not only the focus distance but also the DOF (depth of field) according to the zoom range and aperture is displayed. The focus button on the top lets you directly choose auto-focusing point freely from the entire field of view with the 1-point AF or spot AF method. The same button works for a direct enlargement on the focused point when playing back the images.

In both AF/MF, a subject just 1cm away can be finely captured sparing no detail of it. You can experience the dynamic close-up of macro shots. Notably in the AF mode, the newly added AF Tracking function automatically tracks the subject once the AF has been set even if the subject moves around, making it easier to capture sharp, well-focused photos of decisive moments.For setting the white balance, the LX3 provides a new colour temperature display function in addition to the Two-Axis White Balance Adjustment offered in previous models. There is also a custom setting function that lets users store up to four sets of settings you often use in memory and instantly recall them later using the mode dial.

Furthermore, the LX3 offers a Film mode with six colour types and three types of monochrome to choose from. Much like selecting different film types with a film camera, this function gives the user the flexibility to produce more interesting and expressive images. When you use the Multi-film mode is, the camera produces max. three images from a RAW file for you to enjoy different textures of a film on one same picture. Another new feature is the multiple-exposure function which lets the user create artistic photo productions, overlaying up to three consecutive images while viewing the most recent image in the monitor.
5. Outstanding Clarity and Vision on 3-inch Large 3:2 LCD with 460,000-dot High Resolution

Clear, easy-to-see LCD is upgraded both in size and resolution to be 3.0-inch with 460,000-dot high resolution to offer even more comfortable view for both monitoring when shooting and for playing back the results. The new 3:2 aspect of the LCD on LX3 is familiar to those who are used to analog film cameras. The Intelligent LCD function detects the light condition and automatically boosts the LCD backlighting by max. 40% when shooting outdoors in bright sunshine, and adjusts the frame rate when shooting in low-lit situations in addition to using the pixel mixed readout method to secure clarity in such situations. Detecting the lighting condition precisely and automatically controlling the brightness with a total of 11 fine steps, this function gives the display the most appropriate clarity in any situation without using extra energy. Together with the newly adopted panel which boasts a wide viewing angle, it secures comfortable viewing while both monitoring shots and playing back the results in any circumstances.
6. Exciting Options to Expand the Fun of Photography in the High-Definition Era

All Lumix cameras can take 1920×1080 pixel HD (high-definition) quality photos that perfectly fit a wide-screen (16:9) HDTV for full-screen viewing. The new DMC-LX3 even records dynamic HD motion pictures in 1280 x 720p at a smooth 24 fps, in addition to WVGA (848 x 480) and normal VGA (640 x 480)* **.

With newly added HD component output capability, you can enjoy watching still and motion pictures in stunning HD quality taken by your DMC-LX3 by simply connecting the camera to a TV via an optional component cable (DMW-HDC2).

For your enjoyement, the DMC-LX3 newly provides slideshows complete with music. Just select the pictures you want to show and choose the mood that best matches your selection from natural, slow, urban or swing, and you’ll get an emotion-filled slideshow with a variety of slide change effects and matching music without any annoying adjustments. If you make the slideshow with HD photos in 1920 x 1080 pixels, you can also enjoy watching an impressive HD slideshow with music on a large-screen HDTV by using the optional component cable.

*In Motion Picture mode, the length of recording time depends on the capacity of the SDHC/SD Memory Card. (Up to the equivalent of 2 GB per motion-image recording.) When you set the motion picture quality to HD, WVGA, VGA, we recommend using a high-speed memory card with “10MB/s” or greater on the package. Some lens movement sounds may be recorded.
**For Europe, motion images can be recorded continuously for up to 15 minutes.
7. Expandability as a System Camera

Last but not least, superb expandability is the key for LX3 to be literally a “system camera”. Mounting the optional Wide Conversion Lens (DMW-LW46)* brings the maximum wide angle all the way to an incredible 18mm. Optional equipment such as the ND Filter (DMW-LND46)* and new PL Filter (DMW-LPL46)* also broaden image-creating possibilities. The high-end aluminium External Optical Viewfinder (DMW-VF1) provides bright, clear viewing without wearing down the battery. And the optional GN22 Compact Flash mounts to the hot shoe which is newly added to the camera unit.** These and other accessories let users build around the LX3 to create a powerful, versatile camera system that can take them as far into photography as they want to go.

DMW-LW46 Wide Conversion Lens*
DMW-LND46 ND Filter*
DMW-LPL46 PL Filter*
DMW-LMC46 MC Protector*
DMW-LA4 Conversion Lens Adaptor
DMW-VF1 External Optical Viewfinder (24mm* *35mm Equiv.)
DMW-CLX3 Leather Casing
DMW-CZ18 Camera Bag
DMW-HDC2 HD Component Cable
CGA-S005 Battery

*Requires an lens adaptor DMW-LA4.
**Flash unit (GN22) will be introduced soon.
8. Other Features

While the DMC-LX3 allows full manual control for more advanced photography, the camera also allows user to take perfect shots with outstanding ease. This is made possible by Panasonic Lumix’s iA (Intelligent Auto) mode. In iA mode the camera does all the work, activating Mega O.I.S. (Optical Image Stabilizer), Intelligent ISO Control, Intelligent Scene Selector, Face Detection, and Intelligent Exposure. This leaves the user free to simply compose the shot and press the shutter button, with the assurance that the image will be clear, beautiful and properly exposed.

The LX3 offers a total of 23 scene modes, including the new Pin Hole and Film Grain modes that adds unique, film-camera-like effects and ambiences to images. This wide range of modes lets the LX3 respond easily to any shooting situation. The actual effects of the scene modes can be viewed on the LCD before taking the shot. Now the flash has 1st curtain and 2nd curtain synchro settings to add effective nuance according to the scene.

Image Leveling is another function that improves post-shooting convenience. When a recorded image “leans” to the right or left because the camera was held at a slight angle, the Image Leveling function rotates the image to straighten it and crops the unnecessary edges*. The USB port supports the 2.0 HS standard and the internal memory has been increased to approx. 50 MB – two further enhancements that add to the convenience and fun of using the LX3.

Drawing on its vast expertise in consumer electronics, Panasonic is committed to creating a new photographic culture by introducing innovative, high-performance cameras and other advanced digital imaging products.

Nikon updates firmware for D300 DSLR camera to 1.03 – Fixes Dead Battery Syndrome

5 July, 2008 (12:03) | DSLR, Nikon | By: Camera News

Nikon D300 DSLR
Nikon D300 DSLR

Nikon has released an updated version of the firmware for their D300 DSLR camera. The new 1.03 version of the firmware fixes a problem often called “Dead Battery Syndrome” where the battery indicator falsely says that the battery is dead.

The 1.03 version of the Nikon D300 firmware can be downloaded here for Windows and here for Mac.



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